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Story Boards & Shields
Basket & Cult Hooks - Canoe Prows - Clan Masks - Clan Statues - Fetishes - Penis Gourds & Ornaments - Story Boards & Shields - Woven Dolls & Pigs - Yam Masks - New Guinea History - Mask Information
New Guinea Shields, Spears, Story Boards, and Gopi Boards from Papua New Guinea
New Guinea's extremely rugged terrain encouraged the development of
many different tribes who constantly competed for control of the best
land. Warfare was intermittent, but common until after the World Wars,
when the colonial governments began to pacify the island. Wooden
shields provide defense against enemy weapons which include bows with
bone or bamboo-tipped arrows, sharp wooden spears, stone axes and bone
knives. Woven cane body armor was also common in the West Sepik and
Western Provinces in PNG and is still used in the Highlands of Irian
Jaya.
Shields come in all sizes from large planks that a bowman or spear
thrower can shelter his whole body behind, to smaller breastplate ones.
The woods used are generally lightweight like the roots of mangrove
trees. Most are single planks and the backs have cane framework handles.
Designs vary from tribe to tribe. Geometric designs are common in
the PNG Highlands. The tribes along the Sepik River and its tributaries
typically use clan/ancestor faces and wildlife totems. On the Sepik
River and in the Asmat, truly powerful images can defeat an enemy just
by being shown. Conversely, these images are dangerous to handle and
their rituals have to be strictly observed by the Big Men who are the
fight leaders. In areas where tribes are at peace, shields are still
important and powerful in a ceremonial context.
Kambot, Chimondo and Bobten Villages on the Keram River all make
story boards. Sales pay for school fees, for outboard motors and fuel
to navigate the long distances on the rivers. Sago palms, which provide
the staple food, are scare on the Keram, so families use carving income
to buy rice and tinned fish when the rainy season floods make their
gardens unusable.
The Keram River villages remain quite isolated. Only a few men, such
as Paulas, bring their carvings into Angoram to sell on a regular
basis. The rest rely on the occasional artifact buyer who makes the
trip by motor canoe up the Keram.
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